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Chapter 16
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The proposal for a moonlight ramble was received with acclamation by all the younger portion of the company. They immediately set forth and descended from story to story, dimly lighting their way by waxen tapers, which are a necessary equipment to those whose thoroughfare, in the night-time, lies up and down a Roman staircase. Emerging from the courtyard of the edifice, they looked upward and saw the sky full of light, which seemed to have a delicate purple or crimson lustre, or, at least some richer tinge than the cold, white moonshine of other skies. It gleamed over the front of the opposite palace, showing the architectural ornaments of its cornice and pillared portal, as well as the ironbarred basement windows, that gave such a prison-like aspect to the structure, and the shabbiness and Squalor that lay along its base. A cobbler was just shutting up his little shop, in the basement of the palace; a cigar vender's lantern flared in the blast that came through the archway; a French sentinel paced to and fro before the portal; a homeless dog, that haunted thereabouts, barked as obstreperously at the party as if he were the domestic guardian of the precincts.
The air was quietly full of the noise of falling water, the cause of which was nowhere visible, though apparently near at hand. This pleasant, natural sound, not unlike that of a distant cascade in the forest, may be heard in many of the Roman streets and piazzas, when the tumult of the city is hushed; for consuls, emperors, and popes, the great men of every age, have found no better way of immortalizing their memories than by the shifting, indestructible, ever new, yet unchanging, upgush and downfall of water. They have written their names in that unstable.element, and proved it a more durable record than brass or marble.
"Donatello, you had better take one of those gay, boyish artists for your companion," said Miriam, when she found the Italian youth at her side. "I am not now in a merry mood, as when we set all the world a-dancing the other afternoon, in the Borghese grounds."
"I never wish to dance any more," answered Donatello.
"What a melancholy was in that tone!" exclaimed Miriam. "You are getting spoilt in this dreary Rome, and will be as wise and as wretched as all the rest of mankind, unless you go back soon to your Tuscan vineyards. Well; give me your arm, then! But take care that no friskiness comes over you. We must walk evenly and heavily to-night!"
The party arranged itself according to its natural affinities or casual likings; a sculptor generally choosing a painter, and a painter a sculp--tor, for his companion, in preference to brethren of their own art. Kenyon would gladly have taken Hilda to himself, and have drawn her a little aside from the throng of merry wayfarers. But she kept near Miriam, and seemed, in her gentle and quiet way, to decline a separate alliance either
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