Random Quote
"If music be the food of love, play on;
Give me excess of it, that, surfeiting,
The appetite may sicken, and so die.
That strain again! it had a dying fall:
O, it came o'er my ear like the sweet sound
That breathes upon a bank of violets,
Stealing and giving odour!"
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Chapter 32 - Page 2
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He delighted in the picturesque bits of rustic character and manners, so little of which ever comes upon the surface of our life at home. There, for example, were the old women, tending pigs or sheep by the wayside. As they followed the vagrant steps of their charge, these venerable ladies kept spinning yarn with that elsewhere forgotten contrivance, the distaff; and so wrinkled and stern looking were they, that you might have taken them for the Parcae, spinning the threads of human destiny. In contrast with their great-grandmothers were the children, leading goats of shaggy beard, tied by the horns, and letting them browse on branch and shrub. It is the fashion of Italy to add the petty industry of age and childhood to the hum of human toil. To the eyes of an observer from the Western world, it was a strange spectacle to see sturdy, sunburnt creatures, in petticoats, but otherwise manlike, toiling side by side with male laborers, in the rudest work of the fields. These sturdy women (if as such we must recognize them) wore the high-crowned, broad brimmed hat of Tuscan straw, the customary female head-apparel; and, as every breeze blew back its breadth of brim, the sunshine constantly added depth to the brown glow of their cheeks. The elder sisterhood, however, set off their witch-like ugliness to the worst advantage with black felt hats, bequeathed them, one would fancy, by their long-buried husbands.
Another ordinary sight, as sylvan as the above and more agreeable, was a girl, bearing on her back a huge bundle of green twigs and shrubs, or grass, intermixed with scarlet poppies and blue flowers; the verdant burden being sometimes of such size as to hide the bearer's figure, and seem a self-moving mass of fragrant bloom and verdure. Oftener, however, the bundle reached only halfway down the back of the rustic nymph, leaving in sight her well-developed lower limbs, and the crooked knife, hanging behind her, with which she had been reaping this strange harvest sheaf. A pre-Raphaelite artist (he, for instance, who painted so marvellously a wind-swept heap of autumnal leaves) might find an admirable subject in one of these Tuscan girls, stepping with a free, erect, and graceful carriage. The miscellaneous herbage and tangled twigs and blossoms of her bundle, crowning her head (while her ruddy, comely face looks out between the
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