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    Chapter 7

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    Four days after these curious incidents, a funeral started from
    Canterville Chase at about eleven o'clock at night. The hearse was drawn
    by eight black horses, each of which carried on its head a great tuft of
    nodding ostrich-plumes, and the leaden coffin was covered by a rich
    purple pall, on which was embroidered in gold the Canterville
    coat-of-arms. By the side of the hearse and the coaches walked the
    servants with lighted torches, and the whole procession was wonderfully
    impressive. Lord Canterville was the chief mourner, having come up
    specially from Wales to attend the funeral, and sat in the first
    carriage along with little Virginia. Then came the United States
    Minister and his wife, then Washington and the three boys, and in the
    last carriage was Mrs. Umney. It was generally felt that, as she had
    been frightened by the ghost for more than fifty years of her life, she
    had a right to see the last of him. A deep grave had been dug in the
    corner of the churchyard, just under the old yew-tree, and the service
    was read in the most impressive manner by the Rev. Augustus Dampier.
    When the ceremony was over, the servants, according to an old custom
    observed in the Canterville family, extinguished their torches, and, as
    the coffin was being lowered into the grave, Virginia stepped forward,
    and laid on it a large cross made of white and pink almond-blossoms. As
    she did so, the moon came out from behind a cloud, and flooded with its
    silent silver the little churchyard, and from a distant copse a
    nightingale began to sing. She thought of the ghost's description of the
    Garden of Death, her eyes became dim with tears, and she hardly spoke a
    word during the drive home.

    The next morning, before Lord Canterville went up to town, Mr. Otis had
    an interview with him on the subject of the jewels the ghost had given
    to Virginia. They were perfectly magnificent, especially a certain ruby
    necklace with old Venetian setting, which was really a superb specimen
    of sixteenth-century work, and their value was so great that Mr. Otis
    felt considerable scruples about allowing his daughter to accept them.

    "My lord," he said, "I know that in this country mortmain is held to

    apply to trinkets as well as to land, and it is quite clear to me that
    these jewels are, or should be, heirlooms in your family. I must beg
    you, accordingly, to take them to London with you, and to regard them
    simply as a portion of your property which has been restored to you
    under certain strange conditions. As for my daughter, she is merely a
    child, and has as yet, I am glad to say, but little interest in such
    appurtenances of idle luxury. I am also informed by Mrs. Otis, who, I
    may say, is no mean authority upon Art,--having had the privilege of
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