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    Scene 2

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    FRONT SCENE.--A wood with perhaps distant view of turreted house
    at one side, but all in flat colour, without light and shade and
    against a diafiered or gold background.

    COUNTESS CATHLEEN comes in leaning UpOn ALEEL's arm. OONA follows
    them.

    CATHLEEN. (Stopping) Surely this leafy corner, where one smells
    The wild bee's honey, has a story too?

    OONA. There is the house at last.

    ALEEL. A man, they say,
    Loved Maeve the Queen of all the invisible host,
    And died of his love nine centuries ago.
    And now, when the moon's riding at the full,
    She leaves her dancers lonely and lies there
    Upon that level place, and for three days
    Stretches and sighs and wets her long pale cheeks.

    CATHLEEN. So she loves truly.

    ALEEL. No, but wets her cheeks,
    Lady, because she has forgot his name.

    CATHLEEN. She'd sleep that trouble away--though it must be
    A heavy trouble to forget his name--
    If she had better sense.

    OONA. Your own house, lady.

    ALEEL. She sleeps high up on wintry Knock-na-rea
    In an old cairn of stones; while her poor women
    Must lie and jog in the wave if they would sleep
    Being water born--yet if she cry their names
    They run up on the land and dance in the moon
    Till they are giddy and would love as men do,
    And be as patient and as pitiful.
    But there is nothing that will stop in their heads,
    They've such poor memories, though they weep for it.
    Oh, yes, they weep; that's when the moon is full.

    CATHLEEN. is it because they have short memories
    They live so long?

    ALEEL. What's memory but the ash
    That chokes our fires that have begun to sink?
    And they've a dizzy, everlasting fire.

    OONA. There is your own house, lady.

    CATHLEEN. Why, that's true,
    And we'd have passed it without noticing.

    ALEEL. A curse upon it for a meddlesome house!
    Had it but stayed away I would have known
    What Queen Maeve thinks on when the moon is pinched;
    And whether now--as in the old days--the dancers
    Set their brief love on men.

    OONA. Rest on my arm.
    These are no thoughts for any Christian ear.

    ALEEL. I am younger, she would be too heavy for you.

    (He begins taking his lute out of the bag, CATHLEEN, Who has
    turned towards OONA, turns back to him.)

    This hollow box remembers every foot
    That danced upon the level grass of the world,
    And will tell secrets if I whisper to it.

    (Sings.) Lift up the white knee;
    That's what they sing,
    Those young dancers
    That in a ring
    Raved but now
    Of the hearts that break
    Long, long ago
    For their sake.

    OONA. New friends are sweet.

    ALEEL. "But the dance changes.

    Lift up the gown,
    All
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