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Chapter 18 - Page 2
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dug a reservoir--what more useful in a parched city like
Jerusalem? He did neither; he built a house all carved with
knops, useless and unpractical. Why? Because he was dedicating
the work to God. There had been much talk in Crome about the
proposed War Memorial. A War Memorial was, in its very nature, a
work dedicated to God. It was a token of thankfulness that the
first stage in the culminating world-war had been crowned by the
triumph of righteousness; it was at the same time a visibly
embodied supplication that God might not long delay the Advent
which alone could bring the final peace. A library, a reservoir?
Mr. Bodiham scornfully and indignantly condemned the idea. These
were works dedicated to man, not to God. As a War Memorial they
were totally unsuitable. A lich-gate had been suggested. This
was an object which answered perfectly to the definition of a War
Memorial: a useless work dedicated to God and carved with knops.
One lich-gate, it was true, already existed. But nothing would
be easier than to make a second entrance into the churchyard; and
a second entrance would need a second gate. Other suggestions
had been made. Stained-glass windows, a monument of marble.
Both these were admirable, especially the latter. It was high
time that the War Memorial was erected. It might soon be too
late. At any moment, like a thief in the night, God might come.
Meanwhile a difficulty stood in the way. Funds were inadequate.
All should subscribe according to their means. Those who had
lost relations in the war might reasonably be expected to
subscribe a sum equal to that which they would have had to pay in
funeral expenses if the relative had died while at home. Further
delay was disastrous. The War Memorial must be built at once.
He appealed to the patriotism and the Christian sentiments of all
his hearers.
Henry Wimbush walked home thinking of the books he would present
to the War Memorial Library, if ever it came into existence. He
took the path through the fields; it was pleasanter than the
road. At the first stile a group of village boys, loutish young
fellows all dressed in the hideous ill-fitting black which makes
a funeral of every English Sunday and holiday, were assembled,
drearily guffawing as they smoked their cigarettes. They made
way for Henry Wimbush, touching their caps as he passed. He
returned their salute; his bowler and face were one in their
unruffled gravity.
In Sir Ferdinando's time, he reflected, in the time of his son,
Sir Julius, these young men would have had their Sunday
diversions even at Crome, remote and rustic Crome. There would
have been archery, skittles, dancing--social amusements in
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