The Stage Coach - Page 2

a manner, a language, an air peculiar to themselves and prevalent throughout the fraternity; so that wherever an English stage-coachman may be seen he cannot be mistaken for one of any other craft or mystery.

He has commonly a broad, full face, curiously mottled with red, as if the blood had been forced by hard feeding into every vessel of the skin; he is swelled into jolly dimensions by frequent potations of malt liquors, and his bulk is still further increased by a multiplicity of coats, in which he is buried like a cauliflower, the upper one reaching to his heels. He wears a broad-brimmed, low-crowned hat; a huge roll of colored handkerchief about his neck, knowingly knotted and tucked in at the bosom; and has in summer-time a large bouquet of flowers in his buttonhole, the present, most probably, of some enamored country lass. His waistcoat is commonly of some bright color, striped, and his small-clothes extend far below the knees, to meet a pair of jockey boots which reach about halfway up his legs.

All this costume is maintained with much precision; he has a pride in having his clothes of excellent materials, and, notwithstanding the seeming grossness of his appearance, there is still discernible that neatness and propriety of person which is almost inherent in an Englishman. He enjoys great consequence and consideration along the road; has frequent conferences with the village housewives, who look upon him as a man of great trust and dependence; and he seems to have a good understanding with every bright-eyed country lass. The moment he arrives where the horses are to be changed, he throws down the reins with something of an air and abandons the cattle to the care of the ostler, his duty being merely to drive from one stage to another. When off the box his hands are thrust into the pockets of his great coat, and he rolls about the inn-yard with an air of the most absolute lordliness. Here he is generally surrounded by an admiring throng of ostlers, stableboys, shoeblacks, and those nameless hangers-on that infest inns and taverns, and run errands and do all kind of odd jobs for the privilege of battening on the drippings of the kitchen and the leakage of the tap-room. These all look up to him as to an oracle, treasure up his cant phrases, echo his opinions about horses and other topics of jockey lore, and, above all, endeavor to imitate his air and carriage. Every ragamuffin that has a coat to his back thrusts his hands in the pockets, rolls in his gait, talks slang, and is an embryo Coachey.

Perhaps it might be owing to the pleasing serenity that reigned in my own mind that I fancied I saw cheerfulness in every countenance throughout the journey. A stage-coach, however, carries animation always with it, and puts the world in motion as it whirls along. The horn, sounded at the entrance of the village, produces a general bustle. Some hasten forth to meet friends; some with bundles and bandboxes to secure