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    Chapter 13 - Page 2

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    impatience broke into audible joy. She sprang up,
    recognising me, always holding me, and gleefully cried to a
    gentleman who was arrested in the doorway by the sight of me: "He
    has come back, he has come back, and you should have heard what he
    says of me!" The gentleman was Geoffrey Dawling, and I thought it
    best to let him hear on the spot. "How beautiful she is, my dear
    man--but how extraordinarily beautiful! More beautiful at this
    hour than ever, ever before!"

    It gave them almost equal pleasure and made Dawling blush to his
    eyes; while this in turn produced, in spite of deepened
    astonishment, a blest snap of the strain I had been struggling
    with. I wanted to embrace them both, and while the opening bars of
    another scene rose from the orchestra I almost did embrace Dawling,
    whose first emotion on beholding me had visibly and ever so oddly
    been a consciousness of guilt. I had caught him somehow in the
    act, though that was as yet all I knew; but by the time we sank
    noiselessly into our chairs again--for the music was supreme,
    Wagner passed first--my demonstration ought pretty well to have
    given him the limit of the criticism he had to fear. I myself
    indeed, while the opera blazed, was only too afraid he might divine
    in our silent closeness the very moral of my optimism, which was
    simply the comfort I had gathered from seeing that if our
    companion's beauty lived again her vanity partook of its life. I
    had hit on the right note--that was what eased me off: it drew all
    pain for the next half-hour from the sense of the deep darkness in
    which the stricken woman sat. If the music, in that darkness,
    happily soared and swelled for her, it beat its wings in unison
    with those of a gratified passion. A great deal came and went
    between us without profaning the occasion, so that I could feel at
    the end of twenty minutes as if I knew almost everything he might
    in kindness have to tell me; knew even why Flora, while I stared at
    her from the stalls, had misled me by the use of ivory and crystal
    and by appearing to recognise me and smile. She leaned back in her
    chair in luxurious ease: I had from the first become aware that
    the way she fingered her pearls was a sharp image of the wedded
    state. Nothing of old had seemed wanting to her assurance, but I

    hadn't then dreamed of the art with which she would wear that
    assurance as a married woman. She had taken him when everything
    had failed; he had taken her when she herself had done so. His
    embarrassed eyes confessed it all, confessed the deep peace he
    found in it. They only didn't tell me why he had not written to
    me, nor clear up as yet a minor obscurity. Flora after a while
    again lifted the glass from the ledge of the box and elegantly
    swept the house with it.
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