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    Preface

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    Page 1 of 16
    Nothing is more easy than to state the subject of "The Ambassadors,"
    which first appeared in twelve numbers of _The North American Review_
    (1903) and was published as a whole the same year. The situation
    involved is gathered up betimes, that is in the second chapter of
    Book Fifth, for the reader's benefit, into as few words as possible--
    planted or "sunk," stiffly and saliently, in the centre of the current,
    almost perhaps to the obstruction of traffic. Never can a composition
    of this sort have sprung straighter from a dropped grain of suggestion,
    and never can that grain, developed, overgrown and smothered, have yet
    lurked more in the mass as an independent particle. The whole case,
    in fine, is in Lambert Strether's irrepressible outbreak to little Bilham
    on the Sunday afternoon in Gloriani's garden, the candour with which he
    yields, for his young friend's enlightenment, to the charming admonition
    of that crisis. The idea of the tale resides indeed in the very fact
    that an hour of such unprecedented ease should have been felt by him AS
    a crisis, and he is at pains to express it for us as neatly as we could
    desire. The remarks to which he thus gives utterance contain the essence of
    "The Ambassadors," his fingers close, before he has done, round the
    stem of the full-blown flower; which, after that fashion, he continues
    officiously to present to us. "Live all you can; it's a mistake not to.
    It doesn't so much matter what you do in particular so long as you
    have your life. If you haven't had that what HAVE you had? I'm too
    old--too old at any rate for what I see. What one loses one loses;
    make no mistake about that. Still, we have the illusion of freedom;
    therefore don't, like me to-day, be without the memory of that illusion.
    I was either, at the right time, too stupid or too intelligent to have it,
    and now I'm a case of reaction against the mistake. Do what you like
    so long as you don't make it. For it WAS a mistake. Live, live!"
    Such is the gist of Strether's appeal to the impressed youth, whom
    he likes and whom he desires to befriend; the word "mistake" occurs
    several times, it will be seen, in the course of his remarks--
    which gives the measure of the signal warning he feels attached
    to his case. He has accordingly missed too much, though perhaps

    after all constitutionally qualified for a better part, and he wakes up
    to it in conditions that press the spring of a terrible question.
    WOULD there yet perhaps be time for reparation?--reparation, that is,
    for the injury done his character; for the affront, he is quite ready to
    say, so stupidly put upon it and in which he has even himself had
    so clumsy a hand? The answer to which is that he now at all events SEES;
    so that the business of my tale and the march of my
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    Page 1 of 16
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