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Chapter 5 - Page 2
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question were French; and that enquiry had been but a proper
comment on the sound of their name. "Yes. That is no!" had been
Chad's reply; but he had immediately added that their English was
the most charming in the world, so that if Strether were wanting
an excuse for not getting on with them he wouldn't in the least
find one. Never in fact had Strether--in the mood into which the
place had quickly launched him--felt, for himself, less the need
of an excuse. Those he might have found would have been, at the
worst, all for the others, the people before him, in whose liberty
to be as they were he was aware that he positively rejoiced. His
fellow guests were multiplying, and these things, their liberty,
their intensity, their variety, their conditions at large, were in
fusion in the admirable medium of the scene.
The place itself was a great impression--a small pavilion, clear-faced
and sequestered, an effect of polished parquet, of fine white panel
and spare sallow gilt, of decoration delicate and rare, in the heart
of the Faubourg Saint-Germain and on the edge of a cluster of gardens
attached to old noble houses. Far back from streets and unsuspected
by crowds, reached by a long passage and a quiet court,
it was as striking to the unprepared mind, he immediately saw,
as a treasure dug up; giving him too, more than anything yet,
the note of the range of the immeasurable town and sweeping away,
as by a last brave brush, his usual landmarks and terms.
It was in the garden, a spacious cherished remnant, out of
which a dozen persons had already passed, that Chad's host
presently met them while the tall bird-haunted trees, all of a twitter
with the spring and the weather, and the high party-walls,
on the other side of which grave hotels stood off for privacy,
spoke of survival, transmission, association, a strong indifferent
persistent order. The day was so soft that the little party had
practically adjourned to the open air but the open air was in such
conditions all a chamber of state. Strether had presently the
sense of a great convent, a convent of missions, famous for he
scarce knew what, a nursery of young priests, of scattered shade,
of straight alleys and chapel-bells, that spread its mass in one
quarter; he had the sense of names in the air, of ghosts at the
windows, of signs and tokens, a whole range of expression, all
about him, too thick for prompt discrimination.
This assault of images became for a moment, in the address of the
distinguished sculptor, almost formidable: Gloriani showed him,
in such perfect confidence, on Chad's introduction of him, a fine
worn handsome face, a face that was like an open letter in a
foreign tongue. With
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