Chapter 8 - Page 2

the invalid angry she ought perhaps to be spared the sight of me. "The sight of you? Do you think she can see?" my companion demanded almost with indignation. I did think so but forebore to say it, and I softly followed my conductress.

I remember that what I said to her as I stood for a moment beside the old woman's bed was, "Does she never show you her eyes then? Have you never seen them?" Miss Bordereau had been divested of her green shade, but (it was not my fortune to behold Juliana in her nightcap) the upper half of her face was covered by the fall of a piece of dingy lacelike muslin, a sort of extemporized hood which, wound round her head, descended to the end of her nose, leaving nothing visible but her white withered cheeks and puckered mouth, closed tightly and, as it were consciously. Miss Tita gave me a glance of surprise, evidently not seeing a reason for my impatience. "You mean that she always wears something? She does it to preserve them."

"Because they are so fine?"

"Oh, today, today!" And Miss Tita shook her head, speaking very low. "But they used to be magnificent!"

"Yes indeed, we have Aspern's word for that." And as I looked again at the old woman's wrappings I could imagine that she had not wished to allow people a reason to say that the great poet had overdone it. But I did not waste my time in considering Miss Bordereau, in whom the appearance of respiration was so slight as to suggest that no human attention could ever help her more. I turned my eyes all over the room, rummaging with them the closets, the chests of drawers, the tables. Miss Tita met them quickly and read, I think, what was in them; but she did not answer it, turning away restlessly, anxiously, so that I felt rebuked, with reason, for a preoccupation that was almost profane in the presence of our dying companion. All the same I took another look, endeavoring to pick out mentally the place to try first, for a person who should wish to put his hand on Miss Bordereau's papers directly after her death. The room was a dire confusion; it looked like the room of an old actress. There were clothes hanging over chairs, odd-looking shabby bundles here and there, and various pasteboard boxes piled together, battered, bulging, and discolored, which might have been fifty years old. Miss Tita after a moment noticed the direction of my eyes again and, as if she guessed how I judged the air of the place (forgetting I had no business to judge it at all), said, perhaps to defend herself from the imputation of complicity in such untidiness:

"She likes it this way; we can't move things. There are old bandboxes she has had most of her life." Then she added, half taking pity on my real thought, "Those things were there." And she pointed to a small, low trunk which stood under a sofa where there was just room for it. It appeared to be a queer, superannuated coffer, of painted wood, with elaborate handles and shriveled straps