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    "There was a time when we expected nothing of our children but obedience, as opposed to the present, when we expect everything of them but obedience."
     

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    Chapter 5

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    Well, that's what, on the whole and in spite of everything, it really was.
    It has dropped into my memory a rich little gallery of pictures, a regular
    panorama of those occasions that were to minister to the view from which I
    had so for a moment extracted a lyric inspiration. I see Mrs. Brash on
    each of these occasions practically enthroned and surrounded and more or
    less mobbed; see the hurrying and the nudging and the pressing and the
    staring; see the people "making up" and introduced, and catch the word when
    they have had their turn; hear it above all, the great one--"Ah yes, the
    famous Holbein!"--passed about with that perfection of promptitude that
    makes the motions of the London mind so happy a mixture of those of the
    parrot and the sheep. Nothing would be easier of course than to tell the
    whole little tale with an eye only for that silly side of it. Great was
    the silliness, but great also as to this case of poor Mrs. Brash, I will
    say for it, the good nature. Of course, furthermore, it took in particular
    "our set," with its positive child-terror of the banal, to be either so
    foolish or so wise; though indeed I've never quite known where our set
    begins and ends, and have had to content myself on this score with the
    indication once given me by a lady next whom I was placed at dinner: "Oh
    it's bounded on the north by Ibsen and on the south by Sargent! Mrs. Brash
    never sat to me; she absolutely declined; and when she declared that it was
    quite enough for her that I had with that fine precipitation invited her, I
    quite took this as she meant it; before we had gone very far our
    understanding, hers and mine, was complete. Her attitude was as happy as
    her success was prodigious. The sacrifice of the portrait was a sacrifice
    to the true inwardness of Lady Beldonald, and did much, for the time, I
    divined, toward muffling their domestic tension. All it was thus in her
    power to say--and I heard of a few cases of her having said it--was that
    she was sure I would have painted her beautifully if she hadn't prevented
    me. She couldn't even tell the truth, which was that I certainly would
    have done so if Lady Beldonald hadn't; and she never could mention the
    subject at all before that personage. I can only describe the affair,
    naturally, from the outside, and heaven forbid indeed that I should try too
    closely to, reconstruct the possible strange intercourse of these good

    friends at home.

    My anecdote, however, would lose half the point it may have to show were I
    to omit all mention of the consummate turn her ladyship appeared gradually
    to have found herself able to give her deportment. She had made it
    impossible I should myself bring up our old, our original question, but
    there was real distinction in her manner of now accepting
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