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Chapter 17 - Page 2
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Verena had listened with earnest eyes. "Why, Olive, you are quite a speaker yourself!" she exclaimed. "You would far surpass me if you would let yourself go."
Miss Chancellor shook her head with a melancholy that was not devoid of sweetness. "I can speak to you; but that is no proof. The very stones of the street--all the dumb things of nature-- might find a voice to talk to you. I have no facility; I am awkward and embarrassed and dry." When this young lady, after a struggle with the winds and waves of emotion, emerged into the quiet stream of a certain high reasonableness, she presented her most graceful aspect; she had a tone of softness and sympathy, a gentle dignity, a serenity of wisdom, which sealed the appreciation of those who knew her well enough to like her, and which always impressed Verena as something almost august. Such moods, however, were not often revealed to the public at large; they belonged to Miss Chancellor's very private life. One of them had possession of her at present, and she went on to explain the inconsequence which had puzzled her friend with the same quiet clearness, the detachment from error, of a woman whose self-scrutiny has been as sharp as her deflection.
"Don't think me capricious if I say I would rather trust you without a pledge. I owe you, I owe every one, an apology for my rudeness and fierceness at your mother's. It came over me--just seeing those young men--how exposed you are; and the idea made me (for the moment) frantic. I see your danger still, but I see other things too, and I have recovered my balance. You must be safe, Verena--you must be saved; but your safety must not come from your having tied your hands. It must come from the growth of your perception; from your seeing things, of yourself, sincerely and with conviction, in the light in which I see them; from your feeling that for your work your freedom is essential, and that there is no freedom for you and me save in religiously not doing what you will often be asked to do--and I never!" Miss Chancellor brought out these last words with a proud jerk which was not without its pathos. "Don't promise, don't promise!" she went on. "I would far rather you didn't. But don't fail me--don't fail me, or I shall die!"
Her manner of repairing her inconsistency was altogether feminine: she wished to extract a certainty at the same time that she wished to deprecate a pledge, and she would have been delighted to put Verena into
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