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    Chapter 24

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    CHAPTER XXIV

    It would certainly have been hard to see what injury could arise
    to her from the visit she presently paid to Mr. Osmond's
    hill-top. Nothing could have been more charming than this
    occasion--a soft afternoon in the full maturity of the Tuscan
    spring. The companions drove out of the Roman Gate, beneath the
    enormous blank superstructure which crowns the fine clear arch of
    that portal and makes it nakedly impressive, and wound between
    high-walled lanes into which the wealth of blossoming orchards
    over-drooped and flung a fragrance, until they reached the small
    superurban piazza, of crooked shape, where the long brown wall
    of the villa occupied in part by Mr. Osmond formed a principal,
    or at least a very imposing, object. Isabel went with her friend
    through a wide, high court, where a clear shadow rested below and
    a pair of light-arched galleries, facing each other above, caught
    the upper sunshine upon their slim columns and the flowering
    plants in which they were dressed. There was something grave and
    strong in the place; it looked somehow as if, once you were in,
    you would need an act of energy to get out. For Isabel, however,
    there was of course as yet no thought of getting out, but only of
    advancing. Mr. Osmond met her in the cold ante-chamber--it was
    cold even in the month of May--and ushered her, with her
    conductress, into the apartment to which we have already been
    introduced. Madame Merle was in front, and while Isabel lingered
    a little, talking with him, she went forward familiarly and
    greeted two persons who were seated in the saloon. One of these
    was little Pansy, on whom she bestowed a kiss; the other was a
    lady whom Mr. Osmond indicated to Isabel as his sister, the
    Countess Gemini. "And that's my little girl," he said, "who has
    just come out of her convent."

    Pansy had on a scant white dress, and her fair hair was neatly
    arranged in a net; she wore her small shoes tied sandal-fashion
    about her ankles. She made Isabel a little conventual curtsey
    and then came to be kissed. The Countess Gemini simply nodded
    without getting up: Isabel could see she was a woman of high
    fashion. She was thin and dark and not at all pretty, having

    features that suggested some tropical bird--a long beak-like nose,
    small, quickly-moving eyes and a mouth and chin that receded
    extremely. Her expression, however, thanks to various intensities
    of emphasis and wonder, of horror and joy, was not inhuman, and,
    as regards her appearance, it was plain she understood herself
    and made the most of her points. Her attire, voluminous and
    delicate, bristling with elegance, had the look of shimmering
    plumage, and her attitudes were as light and sudden as those of a
    creature who perched upon twigs.
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