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Chapter 24
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It would certainly have been hard to see what injury could arise
to her from the visit she presently paid to Mr. Osmond's
hill-top. Nothing could have been more charming than this
occasion--a soft afternoon in the full maturity of the Tuscan
spring. The companions drove out of the Roman Gate, beneath the
enormous blank superstructure which crowns the fine clear arch of
that portal and makes it nakedly impressive, and wound between
high-walled lanes into which the wealth of blossoming orchards
over-drooped and flung a fragrance, until they reached the small
superurban piazza, of crooked shape, where the long brown wall
of the villa occupied in part by Mr. Osmond formed a principal,
or at least a very imposing, object. Isabel went with her friend
through a wide, high court, where a clear shadow rested below and
a pair of light-arched galleries, facing each other above, caught
the upper sunshine upon their slim columns and the flowering
plants in which they were dressed. There was something grave and
strong in the place; it looked somehow as if, once you were in,
you would need an act of energy to get out. For Isabel, however,
there was of course as yet no thought of getting out, but only of
advancing. Mr. Osmond met her in the cold ante-chamber--it was
cold even in the month of May--and ushered her, with her
conductress, into the apartment to which we have already been
introduced. Madame Merle was in front, and while Isabel lingered
a little, talking with him, she went forward familiarly and
greeted two persons who were seated in the saloon. One of these
was little Pansy, on whom she bestowed a kiss; the other was a
lady whom Mr. Osmond indicated to Isabel as his sister, the
Countess Gemini. "And that's my little girl," he said, "who has
just come out of her convent."
Pansy had on a scant white dress, and her fair hair was neatly
arranged in a net; she wore her small shoes tied sandal-fashion
about her ankles. She made Isabel a little conventual curtsey
and then came to be kissed. The Countess Gemini simply nodded
without getting up: Isabel could see she was a woman of high
fashion. She was thin and dark and not at all pretty, having
features that suggested some tropical bird--a long beak-like nose,
small, quickly-moving eyes and a mouth and chin that receded
extremely. Her expression, however, thanks to various intensities
of emphasis and wonder, of horror and joy, was not inhuman, and,
as regards her appearance, it was plain she understood herself
and made the most of her points. Her attire, voluminous and
delicate, bristling with elegance, had the look of shimmering
plumage, and her attitudes were as light and sudden as those of a
creature who perched upon twigs.
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