Chapter 24 - Page 2

some famous tenor grown too old to make love, but with an art still to make money--did he on occasion convey to her that she was, of all the clients of his glorious career, the one in whom his interest was most personal and paternal. The others had come in the way of business, but for her his sentiment was special. Confidence rested thus on her completely believing that: there was nothing of which she felt more sure. It passed between them every time they conversed; he was abysmal, but this intimacy lived on the surface. He had taken his place already for her among those who were to see her through, and meditation ranked him, in the constant perspective, for the final function, side by side with poor Susie--whom she was now pitying more than ever for having to be herself so sorry and to say so little about it. Eugenio had the general tact of a residuary legatee--which was a character that could be definitely worn; whereas she could see Susie, in the event of her death, in no character at all, Susie being insistently, exclusively concerned in her mere makeshift duration. This principle, for that matter, Milly at present, with a renewed flare of fancy, felt she should herself have liked to believe in. Eugenio had really done for her more than he probably knew--he didn't after all know everything--in having, for the wind-up of the autumn, on a weak word from her, so admirably, so perfectly established her. Her weak word, as a general hint, had been: "At Venice, please, if possible, no dreadful, no vulgar hotel; but, if it can be at all managed--you know what I mean--some fine old rooms, wholly independent, for a series of months. Plenty of them too, and the more interesting the better: part of a palace, historic and picturesque, but strictly inodorous, where we shall be to ourselves, with a cook, don't you know?--with servants, frescoes, tapestries, antiquities, the thorough make-believe of a settlement."

The proof of how he better and better understood her was in all the place; as to his masterly acquisition of which she had from the first asked no questions. She had shown him enough what she thought of it, and her forbearance pleased him; with the part of the transaction that mainly concerned her she would soon enough become acquainted, and his connexion with such values as she would then find noted could scarce help growing, as it were, still more residuary. Charming people, conscious Venice-lovers, evidently, had given up their house to her, and had fled to a distance, to other countries, to hide their blushes alike over what they had, however briefly, alienated, and over what they had, however durably, gained. They had preserved and consecrated, and she now--her part of it was shameless--appropriated and enjoyed. Palazzo Leporelli held its history still in its great lap, even like a painted idol, a solemn puppet hung about with decorations. Hung about with pictures and relics, the rich Venetian past, the ineffaceable character, was