Chapter 29 - Page 2

"I am not at all well," said Morris; and it occurred to him that, if he could only make her pity him enough, he might get off.

"I am afraid you are overworked; you oughtn't to work so much."

"I must do that." And then he added, with a sort of calculated brutality, "I don't want to owe you everything!"

"Ah, how can you say that?"

"I am too proud," said Morris.

"Yes--you are too proud!"

"Well, you must take me as I am," he went on, "you can never change me."

"I don't want to change you," she said gently. "I will take you as you are!" And she stood looking at him.

"You know people talk tremendously about a man's marrying a rich girl," Morris remarked. "It's excessively disagreeable."

"But I am not rich?" said Catherine.

"You are rich enough to make me talked about!"

"Of course you are talked about. It's an honour!"

"It's an honour I could easily dispense with."

She was on the point of asking him whether it were not a compensation for this annoyance that the poor girl who had the misfortune to bring it upon him, loved him so dearly and believed in him so truly; but she hesitated, thinking that this would perhaps seem an exacting speech, and while she hesitated, he suddenly left her.

The next time he came, however, she brought it out, and she told him again that he was too proud. He repeated that he couldn't change, and this time she felt the impulse to say that with a little effort he might change.

Sometimes he thought that if he could only make a quarrel with her it might help him; but the question was how to quarrel with a young woman who had such treasures of concession. "I suppose you think the effort is all on your side!" he was reduced to exclaiming. "Don't you believe that I have my own effort to make?"

"It's all yours now," she said. "My effort is finished and done with!"

"Well, mine is not."

"We must bear things together," said Catherine. "That's what we ought to do."

Morris attempted a natural smile. "There are some things which we can't very well bear together--for instance, separation."

"Why do you speak of separation?"

"Ah! you don't like it; I knew you wouldn't!"

"Where are you going, Morris?" she suddenly asked.

He fixed his eye on her for a moment, and for a part of that moment she was afraid of it. "Will you promise not to make a scene?"

"A scene!--do I make scenes?"

"All women do!" said Morris, with the tone of large experience.

"I don't. Where are you going?"

"If I should say I was going away on business, should you think it very strange?"

She wondered a moment, gazing at him. "Yes--no. Not if you will take me with you."

"Take you with me--on business?"

"What is your business? Your business is to be with