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    Chapter 5 - Page 2

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    in all its deeps by Darwin's Origin of
    Species. Thus the geological record is inconsistent, we learned,
    with the record of the first chapters of Genesis. If man is a
    differentiated monkey, and if a monkey has no soul, or future life
    (which is taken for granted), where are man's title-deeds to these
    possessions? With other difficulties of an obvious kind, these
    presented themselves to the poet with renewed force when his only
    chance of happiness depended on being able to believe in a future
    life, and reunion with the beloved dead. Unbelief had always
    existed. We hear of atheists in the Rig Veda. In the early
    eighteenth century, in the age of Swift -

    "Men proved, as sure as God's in Gloucester,
    That Moses was a great impostor."

    distrust of Moses increased with the increase of hypotheses of
    evolution. But what English poet, before Tennyson, ever attempted
    "to lay the spectres of the mind"; ever faced world-old problems in
    their most recent aspects? I am not acquainted with any poet who
    attempted this task, and, whatever we may think of Tennyson's
    success, I do not see how we can deny his originality.

    Mr Frederic Harrison, however, thinks that neither "the theology nor
    the philosophy of In Memoriam are new, original, with an independent
    force and depth of their own." "They are exquisitely graceful re-
    statements of the theology of the Broad Churchman of the school of F.
    D. Maurice and Jowett--a combination of Maurice's somewhat illogical
    piety with Jowett's philosophy of mystification." The piety of
    Maurice may be as illogical as that of Positivism is logical, and the
    philosophy of the Master of Balliol may be whatever Mr Harrison
    pleases to call it. But as Jowett's earliest work (except an essay
    on Etruscan religion) is of 1855, one does not see how it could
    influence Tennyson before 1844. And what had the Duke of Argyll
    written on these themes some years before 1844? The late Duke, to
    whom Mr Harrison refers in this connection, was born in 1823. His
    philosophic ideas, if they were to influence Tennyson's In Memoriam,
    must have been set forth by him at the tender age of seventeen, or
    thereabouts. Mr Harrison's sentence is, "But does In Memoriam teach

    anything, or transfigure any idea which was not about that time" (the
    time of writing was mainly 1833-1840) "common form with F. D.
    Maurice, with Jowett, C. Kingsley, F. Robertson, Stopford Brooke, Mr
    Ruskin, and the Duke of Argyll, Bishops Westcott and Boyd Carpenter?"

    The dates answer Mr Harrison. Jowett did not publish anything till
    at least fifteen years after Tennyson wrote his poems on evolution
    and belief. Dr Boyd Carpenter's works previous to 1840 are unknown
    to bibliography. F. W. Robertson was a young parson at Cheltenham.
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