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    XIV. To Edgar Allan Poe

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    Sir,--Your English readers, better acquainted with your poems and romances
    than with your criticisms, have long wondered at the indefatigable hatred
    which pursues your memory. You, who knew the men, will not marvel that certain
    microbes of letters, the survivors of your own generation, still harass your
    name with their malevolence, while old women twitter out their incredible and
    heeded slanders in the literary papers of New York. But their persistent
    animosity does not quite suffice to explain the dislike with which many
    American critics regard the greatest poet, perhaps the greatest literary
    genius, of their country. With a commendable patriotism, they are not apt to
    rate native merit too low; and you, I think, are the only example of an
    American prophet almost without honour in his own country.

    The recent publication of a cold, careful, and in many respects admirable
    study of your career ('Edgar Allan Poe,' by George Woodberry: Houghton,
    Mifflin and Co., Boston) reminds English readers who have forgotten it, and
    teaches those who never knew it, that you were, unfortunately, a Reviewer. How
    unhappy were the necessities, how deplorable the vein, that compelled or
    seduced a man of your eminence into the dusty and stony ways of contemporary
    criticism! About the writers of his own generation a leader of that generation
    should hold his peace, he should neither praise nor blame nor defend his
    equals; he should not strike one blow at the buzzing ephemerae of letters. The
    breath of their life is in the columns of 'Literary Gossip;' and they should
    be allowed to perish with the weekly advertisements on which they pasture.
    Reviewing, of course, there must needs be; but great minds should only
    criticise the great who have passed beyond the reach of eulogy or
    fault-finding.

    Unhappily, taste and circumstances combined to make you a censor; you vexed a
    continent, and you are still unforgiven. What 'irritation of a sensitive
    nature, chafed by some indefinite sense of wrong,' drove you (in Mr.
    Longfellow's own words) to attack his pure and beneficent Muse we may never
    ascertain. But Mr. Longfellow forgave you easily; for pardon comes easily to
    the great. It was the smaller men, the Daweses, Griswolds, and the like, that

    knew not how to forget. 'The New Yorkers never forgave him,' says your latest
    biographer; and one scarcely marvels at the inveteracy of their malice. It was
    not individual vanity alone, but the whole literary class that you assailed.
    'As a literary people,' you wrote, 'we are one vast perambulating humbug.'
    After that declaration of war you died, and left your reputation to the
    vanities yet writhing beneath your scorn. They are writhing and writing still.
    He who knows them need not linger over the attacks and
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