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"To be conscious that you are ignorant is a great step to knowledge."
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Chapter 12 - Page 2
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The first picture is a full length of Aurelia Koslow, a German fraulein, or rather a half-breed between German and Russian. She is eighteen years of age, and has been sent to Brussels to finish her education; she is of middle size, stiffly made, body long, legs short, bust much developed but not compactly moulded, waist disproportionately compressed by an inhumanly braced corset, dress carefully arranged, large feet tortured into small bottines, head small, hair smoothed, braided, oiled, and gummed to perfection; very low forehead, very diminutive and vindictive grey eyes, somewhat Tartar features, rather flat nose, rather high-cheek bones, yet the ensemble not positively ugly; tolerably good complexion. So much for person. As to mind, deplorably ignorant and ill-informed: incapable of writing or speaking correctly even German, her native tongue, a dunce in French, and her attempts at learning English a mere farce, yet she has been at school twelve years; but as she invariably gets her exercises, of every description, done by a fellow pupil, and reads her lessons off a book; concealed in her lap, it is not wonderful that her progress has been so snail-like. I do not know what Aurelia's daily habits of life are, because I have not the opportunity of observing her at all times; but from what I see of the state of her desk, books, and papers, I should say she is slovenly and even dirty; her outward dress, as I have said, is well attended to, but in passing behind her bench, I have remarked that her neck is gray for want of washing, and her hair, so glossy with gum and grease, is not such as one feels tempted to pass the hand over, much less to run the fingers through. Aurelia's conduct in class, at least when I am present, is something extraordinary, considered as an index of girlish innocence. The moment I enter the room, she nudges her next neighbour and indulges in a half-suppressed laugh. As I take my seat on the estrade, she fixes her eye on me; she seems resolved to attract, and, if possible, monopolize my notice: to this end she launches at me all sorts of looks, languishing, provoking, leering, laughing. As I am found quite proof against this sort of artillery--for we scorn what, unasked, is lavishly offered --she has recourse to the expedient of making noises; sometimes she sighs, sometimes groans, sometimes utters inarticulate sounds, for which language has no name. If, in walking up the schoolroom, I pass near her, she puts out her foot that it may touch mine; if I do not happen to observe the manoeuvre, and my boot comes in contact with
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