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    Act 4, Scene I

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    Chapter 16
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    SCENE I. The forest.

    Enter ROSALIND, CELIA, and JAQUES
    JAQUES
    I prithee, pretty youth, let me be better acquainted
    with thee.

    ROSALIND
    They say you are a melancholy fellow.

    JAQUES
    I am so; I do love it better than laughing.

    ROSALIND
    Those that are in extremity of either are abominable
    fellows and betray themselves to every modern
    censure worse than drunkards.

    JAQUES
    Why, 'tis good to be sad and say nothing.

    ROSALIND
    Why then, 'tis good to be a post.

    JAQUES
    I have neither the scholar's melancholy, which is
    emulation, nor the musician's, which is fantastical,
    nor the courtier's, which is proud, nor the
    soldier's, which is ambitious, nor the lawyer's,
    which is politic, nor the lady's, which is nice, nor
    the lover's, which is all these: but it is a
    melancholy of mine own, compounded of many simples,
    extracted from many objects, and indeed the sundry's
    contemplation of my travels, in which my often
    rumination wraps me m a most humorous sadness.

    ROSALIND
    A traveller! By my faith, you have great reason to
    be sad: I fear you have sold your own lands to see
    other men's; then, to have seen much and to have
    nothing, is to have rich eyes and poor hands.

    JAQUES
    Yes, I have gained my experience.

    ROSALIND
    And your experience makes you sad: I had rather have
    a fool to make me merry than experience to make me
    sad; and to travel for it too!

    Enter ORLANDO

    ORLANDO
    Good day and happiness, dear Rosalind!

    JAQUES
    Nay, then, God be wi' you, an you talk in blank verse.

    Exit

    ROSALIND
    Farewell, Monsieur Traveller: look you lisp and
    wear strange suits, disable all the benefits of your
    own country, be out of love with your nativity and
    almost chide God for making you that countenance you
    are, or I will scarce think you have swam in a
    gondola. Why, how now, Orlando! where have you been
    all this while? You a lover! An you serve me such
    another trick, never come in my sight more.

    ORLANDO
    My fair Rosalind, I come within an hour of my promise.

    ROSALIND
    Break an hour's promise in love! He that will
    divide a minute into a thousand parts and break but
    a part of the thousandth part of a minute in the
    affairs of love, it may be said of him that Cupid
    hath clapped him o' the shoulder, but I'll warrant
    him heart-whole.

    ORLANDO
    Pardon me, dear Rosalind.

    ROSALIND
    Nay, an you be so tardy, come no more in my sight: I
    had as lief be wooed of a snail.

    ORLANDO
    Of a snail?

    ROSALIND
    Ay, of a snail; for though he comes slowly, he
    carries his house on his head; a better jointure,
    I think, than you make a woman: besides he brings
    his destiny with him.

    ORLANDO
    What's that?

    ROSALIND
    Why, horns, which such as you are fain to be
    beholding to your wives for: but he comes armed in
    his fortune and prevents the slander of his wife.

    ORLANDO
    Virtue is no horn-maker; and my Rosalind is virtuous.

    ROSALIND
    And I am your Rosalind.

    CELIA
    It pleases him to call you so; but he hath a
    Rosalind of a better leer than you.

    ROSALIND
    Come, woo me, woo me, for now I am in a holiday
    humour and like enough to consent. What would you
    say to me now, an I were your very very Rosalind?

    ORLANDO
    I would kiss before I spoke.

    ROSALIND
    Nay, you were better speak first, and when you were
    gravelled for lack of matter, you might take
    occasion to kiss. Very good orators, when they are
    out, they will spit; and for lovers lacking--God
    warn us!--matter, the cleanliest shift is to kiss.

    ORLANDO
    How if the kiss be denied?

    ROSALIND
    Then she puts you to entreaty, and there begins new matter.

    ORLANDO
    Who could be out, being before his beloved mistress?

    ROSALIND
    Marry, that should you, if I were your mistress, or
    I should think my honesty ranker than my wit.

    ORLANDO
    What, of my suit?

    ROSALIND
    Not out of your apparel, and yet out of your suit.
    Am not I your Rosalind?

    ORLANDO
    I take some joy to say you are, because I would be
    talking of her.

    ROSALIND
    Well in her person I say I will not have you.

    ORLANDO
    Then in mine own person I die.

    ROSALIND
    No, faith, die by attorney. The poor world is
    almost six thousand years old, and in all this time
    there was not any man died in his own person,
    videlicit, in a love-cause. Troilus had his brains
    dashed out with a Grecian club; yet he did what he
    could to die before, and he is one of the patterns
    of love. Leander, he would have lived many a fair
    year, though Hero had turned nun, if it had not been
    for a hot midsummer night; for, good youth, he went
    but forth to wash him in the Hellespont and being
    taken with the cramp was drowned and the foolish
    coroners of that age found it was 'Hero of Sestos.'
    But these are all lies: men have died from time to
    time and worms have eaten them, but not for love.

    ORLANDO
    I would not have my right Rosalind of this mind,
    for, I protest, her frown might kill me.

    ROSALIND
    By this hand, it will not kill a fly. But come, now
    I will be your Rosalind in a more coming-on
    disposition, and ask me what you will. I will grant
    it.

    ORLANDO
    Then love me, Rosalind.

    ROSALIND
    Yes, faith, will I, Fridays and Saturdays and all.

    ORLANDO
    And wilt thou have me?

    ROSALIND
    Ay, and twenty such.

    ORLANDO
    What sayest thou?

    ROSALIND
    Are you not good?

    ORLANDO
    I hope so.

    ROSALIND
    Why then, can one desire too much of a good thing?
    Come, sister, you shall be the priest and marry us.
    Give me your hand, Orlando. What do you say, sister?

    ORLANDO
    Pray thee, marry us.

    CELIA
    I cannot say the words.

    ROSALIND
    You must begin, 'Will you, Orlando--'

    CELIA
    Go to. Will you, Orlando, have to wife this Rosalind?

    ORLANDO
    I will.

    ROSALIND
    Ay, but when?

    ORLANDO
    Why now; as fast as she can marry us.

    ROSALIND
    Then you must say 'I take thee, Rosalind, for wife.'

    ORLANDO
    I take thee, Rosalind, for wife.

    ROSALIND
    I might ask you for your commission; but I do take
    thee, Orlando, for my husband: there's a girl goes
    before the priest; and certainly a woman's thought
    runs before her actions.

    ORLANDO
    So do all thoughts; they are winged.

    ROSALIND
    Now tell me how long you would have her after you
    have possessed her.

    ORLANDO
    For ever and a day.

    ROSALIND
    Say 'a day,' without the 'ever.' No, no, Orlando;
    men are April when they woo, December when they wed:
    maids are May when they are maids, but the sky
    changes when they are wives. I will be more jealous
    of thee than a Barbary cock-pigeon over his hen,
    more clamorous than a parrot against rain, more
    new-fangled than an ape, more giddy in my desires
    than a monkey: I will weep for nothing, like Diana
    in the fountain, and I will do that when you are
    disposed to be merry; I will laugh like a hyen, and
    that when thou art inclined to sleep.

    ORLANDO
    But will my Rosalind do so?

    ROSALIND
    By my life, she will do as I do.

    ORLANDO
    O, but she is wise.

    ROSALIND
    Or else she could not have the wit to do this: the
    wiser, the waywarder: make the doors upon a woman's
    wit and it will out at the casement; shut that and
    'twill out at the key-hole; stop that, 'twill fly
    with the smoke out at the chimney.

    ORLANDO
    A man that had a wife with such a wit, he might say
    'Wit, whither wilt?'

    ROSALIND
    Nay, you might keep that cheque for it till you met
    your wife's wit going to your neighbour's bed.

    ORLANDO
    And what wit could wit have to excuse that?

    ROSALIND
    Marry, to say she came to seek you there. You shall
    never take her without her answer, unless you take
    her without her tongue. O, that woman that cannot
    make her fault her husband's occasion, let her
    never nurse her child herself, for she will breed
    it like a fool!

    ORLANDO
    For these two hours, Rosalind, I will leave thee.

    ROSALIND
    Alas! dear love, I cannot lack thee two hours.

    ORLANDO
    I must attend the duke at dinner: by two o'clock I
    will be with thee again.

    ROSALIND
    Ay, go your ways, go your ways; I knew what you
    would prove: my friends told me as much, and I
    thought no less: that flattering tongue of yours
    won me: 'tis but one cast away, and so, come,
    death! Two o'clock is your hour?

    ORLANDO
    Ay, sweet Rosalind.

    ROSALIND
    By my troth, and in good earnest, and so God mend
    me, and by all pretty oaths that are not dangerous,
    if you break one jot of your promise or come one
    minute behind your hour, I will think you the most
    pathetical break-promise and the most hollow lover
    and the most unworthy of her you call Rosalind that
    may be chosen out of the gross band of the
    unfaithful: therefore beware my censure and keep
    your promise.

    ORLANDO
    With no less religion than if thou wert indeed my
    Rosalind: so adieu.

    ROSALIND
    Well, Time is the old justice that examines all such
    offenders, and let Time try: adieu.

    Exit ORLANDO

    CELIA
    You have simply misused our sex in your love-prate:
    we must have your doublet and hose plucked over your
    head, and show the world what the bird hath done to
    her own nest.

    ROSALIND
    O coz, coz, coz, my pretty little coz, that thou
    didst know how many fathom deep I am in love! But
    it cannot be sounded: my affection hath an unknown
    bottom, like the bay of Portugal.

    CELIA
    Or rather, bottomless, that as fast as you pour
    affection in, it runs out.

    ROSALIND
    No, that same wicked bastard of Venus that was begot
    of thought, conceived of spleen and born of madness,
    that blind rascally boy that abuses every one's eyes
    because his own are out, let him be judge how deep I
    am in love. I'll tell thee, Aliena, I cannot be out
    of the sight of Orlando: I'll go find a shadow and
    sigh till he come.

    CELIA
    And I'll sleep.

    Exeunt
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