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    Act 4, Scene I

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    SCENE I. The forest.

    Enter ROSALIND, CELIA, and JAQUES
    JAQUES
    I prithee, pretty youth, let me be better acquainted
    with thee.

    ROSALIND
    They say you are a melancholy fellow.

    JAQUES
    I am so; I do love it better than laughing.

    ROSALIND
    Those that are in extremity of either are abominable
    fellows and betray themselves to every modern
    censure worse than drunkards.

    JAQUES
    Why, 'tis good to be sad and say nothing.

    ROSALIND
    Why then, 'tis good to be a post.

    JAQUES
    I have neither the scholar's melancholy, which is
    emulation, nor the musician's, which is fantastical,
    nor the courtier's, which is proud, nor the
    soldier's, which is ambitious, nor the lawyer's,
    which is politic, nor the lady's, which is nice, nor
    the lover's, which is all these: but it is a
    melancholy of mine own, compounded of many simples,
    extracted from many objects, and indeed the sundry's
    contemplation of my travels, in which my often
    rumination wraps me m a most humorous sadness.

    ROSALIND
    A traveller! By my faith, you have great reason to
    be sad: I fear you have sold your own lands to see
    other men's; then, to have seen much and to have
    nothing, is to have rich eyes and poor hands.

    JAQUES
    Yes, I have gained my experience.

    ROSALIND
    And your experience makes you sad: I had rather have
    a fool to make me merry than experience to make me
    sad; and to travel for it too!

    Enter ORLANDO

    ORLANDO
    Good day and happiness, dear Rosalind!

    JAQUES
    Nay, then, God be wi' you, an you talk in blank verse.

    Exit

    ROSALIND
    Farewell, Monsieur Traveller: look you lisp and
    wear strange suits, disable all the benefits of your
    own country, be out of love with your nativity and
    almost chide God for making you that countenance you
    are, or I will scarce think you have swam in a
    gondola. Why, how now, Orlando! where have you been
    all this while? You a lover! An you serve me such
    another trick, never come in my sight more.

    ORLANDO
    My fair Rosalind, I come within an hour of my promise.

    ROSALIND
    Break an hour's promise in love! He that will
    divide a minute into a thousand parts and break but
    a part of the thousandth part of a minute in the
    affairs of love, it may be said of him that Cupid

    hath clapped him o' the shoulder, but I'll warrant
    him heart-whole.

    ORLANDO
    Pardon me, dear Rosalind.

    ROSALIND
    Nay, an you be so tardy, come no more in my sight: I
    had as lief be wooed of a snail.

    ORLANDO
    Of a snail?

    ROSALIND
    Ay, of a snail; for though he comes slowly, he
    carries his house on his head; a better
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