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    Act 4, Scene III - Page 2

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    Of me and all that I can make;
    Or else by him my love deny,
    And then I'll study how to die.

    SILVIUS
    Call you this chiding?

    CELIA
    Alas, poor shepherd!

    ROSALIND
    Do you pity him? no, he deserves no pity. Wilt
    thou love such a woman? What, to make thee an
    instrument and play false strains upon thee! not to
    be endured! Well, go your way to her, for I see
    love hath made thee a tame snake, and say this to
    her: that if she love me, I charge her to love
    thee; if she will not, I will never have her unless
    thou entreat for her. If you be a true lover,
    hence, and not a word; for here comes more company.

    Exit SILVIUS

    Enter OLIVER

    OLIVER
    Good morrow, fair ones: pray you, if you know,
    Where in the purlieus of this forest stands
    A sheep-cote fenced about with olive trees?

    CELIA
    West of this place, down in the neighbour bottom:
    The rank of osiers by the murmuring stream
    Left on your right hand brings you to the place.
    But at this hour the house doth keep itself;
    There's none within.

    OLIVER
    If that an eye may profit by a tongue,
    Then should I know you by description;
    Such garments and such years: 'The boy is fair,
    Of female favour, and bestows himself
    Like a ripe sister: the woman low
    And browner than her brother.' Are not you
    The owner of the house I did inquire for?

    CELIA
    It is no boast, being ask'd, to say we are.

    OLIVER
    Orlando doth commend him to you both,
    And to that youth he calls his Rosalind
    He sends this bloody napkin. Are you he?

    ROSALIND
    I am: what must we understand by this?

    OLIVER
    Some of my shame; if you will know of me
    What man I am, and how, and why, and where
    This handkercher was stain'd.

    CELIA
    I pray you, tell it.

    OLIVER
    When last the young Orlando parted from you
    He left a promise to return again
    Within an hour, and pacing through the forest,
    Chewing the food of sweet and bitter fancy,
    Lo, what befell! he threw his eye aside,
    And mark what object did present itself:

    Under an oak, whose boughs were moss'd with age
    And high top bald with dry antiquity,
    A wretched ragged man, o'ergrown with hair,
    Lay sleeping on his back: about his neck
    A green and gilded snake had wreathed itself,
    Who with her head nimble in threats approach'd
    The opening of his mouth; but suddenly,
    Seeing Orlando, it unlink'd itself,
    And with indented glides did slip away
    Into a bush: under which bush's shade
    A lioness, with udders all drawn dry,
    Lay couching, head on ground, with catlike watch,
    When that the sleeping man should stir; for 'tis
    The royal disposition of that beast
    To
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