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    Act 3, Scene IV

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    SCENE IV. Country near Milford-Haven.

    Enter PISANIO and IMOGEN
    IMOGEN
    Thou told'st me, when we came from horse, the place
    Was near at hand: ne'er long'd my mother so
    To see me first, as I have now. Pisanio! man!
    Where is Posthumus? What is in thy mind,
    That makes thee stare thus? Wherefore breaks that sigh
    From the inward of thee? One, but painted thus,
    Would be interpreted a thing perplex'd
    Beyond self-explication: put thyself
    Into a havior of less fear, ere wildness
    Vanquish my staider senses. What's the matter?
    Why tender'st thou that paper to me, with
    A look untender? If't be summer news,
    Smile to't before; if winterly, thou need'st
    But keep that countenance still. My husband's hand!
    That drug-damn'd Italy hath out-craftied him,
    And he's at some hard point. Speak, man: thy tongue
    May take off some extremity, which to read
    Would be even mortal to me.

    PISANIO
    Please you, read;
    And you shall find me, wretched man, a thing
    The most disdain'd of fortune.

    IMOGEN
    [Reads] 'Thy mistress, Pisanio, hath played the
    strumpet in my bed; the testimonies whereof lie
    bleeding in me. I speak not out of weak surmises,
    but from proof as strong as my grief and as certain
    as I expect my revenge. That part thou, Pisanio,
    must act for me, if thy faith be not tainted with
    the breach of hers. Let thine own hands take away
    her life: I shall give thee opportunity at
    Milford-Haven. She hath my letter for the purpose
    where, if thou fear to strike and to make me certain
    it is done, thou art the pandar to her dishonour and
    equally to me disloyal.'

    PISANIO
    What shall I need to draw my sword? the paper
    Hath cut her throat already. No, 'tis slander,
    Whose edge is sharper than the sword, whose tongue
    Outvenoms all the worms of Nile, whose breath
    Rides on the posting winds and doth belie
    All corners of the world: kings, queens and states,
    Maids, matrons, nay, the secrets of the grave
    This viperous slander enters. What cheer, madam?

    IMOGEN
    False to his bed! What is it to be false?
    To lie in watch there and to think on him?
    To weep 'twixt clock and clock? if sleep
    charge nature,
    To break it with a fearful dream of him
    And cry myself awake? that's false to's bed, is it?

    PISANIO
    Alas, good lady!

    IMOGEN
    I false! Thy conscience witness: Iachimo,
    Thou didst accuse him of incontinency;
    Thou then look'dst like a villain; now methinks
    Thy favour's good enough. Some jay of Italy
    Whose mother was her painting, hath betray'd him:
    Poor I am stale, a garment out of fashion;
    And, for I am richer than to hang by the walls,
    I must be ripp'd:--to pieces with me!--O,
    Men's vows
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