Chapter 39 - Page 2

Huntingdon and his guests had been particularly provoking and insulting to me in their encouragement of him, and I particularly anxious to get him out of the room, and on the very point of demeaning myself by a burst of uncontrollable passion - Mr. Hargrave suddenly rose from his seat with an aspect of stern determination, lifted the child from his father's knee, where he was sitting half-tipsy, cocking his head and laughing at me, and execrating me with words he little knew the meaning of, handed him out of the room, and, setting him down in the hall, held the door open for me, gravely bowed as I withdrew, and closed it after me. I heard high words exchanged between him and his already half- inebriated host as I departed, leading away my bewildered and disconcerted boy.

But this should not continue: my child must not be abandoned to this corruption: better far that he should live in poverty and obscurity, with a fugitive mother, that in luxury and affluence with such a father. These guests might not be with us long, but they would return again: and he, the most injurious of the whole, his child's worst enemy, would still remain. I could endure it for myself, but for my son it must be borne no longer: the world's opinion and the feelings of my friends must be alike unheeded here, at least - alike unable to deter me from my duty. But where should I find an asylum, and how obtain subsistence for us both? Oh, I would take my precious charge at early dawn, take the coach to M-, flee to the port of -, cross the Atlantic, and seek a quiet, humble home in New England, where I would support myself and him by the labour of my hands. The palette and the easel, my darling playmates once, must be my sober toil-fellows now. But was I sufficiently skilful as an artist to obtain my livelihood in a strange land, without friends and without recommendation? No; I must wait a little; I must labour hard to improve my talent, and to produce something worth while as a specimen of my powers, something to speak favourably for me, whether as an actual painter or a teacher. Brilliant success, of course, I did not look for, but some degree of security from positive failure was indispensable: I must not take my son to starve. And then I must have money for the journey, the passage, and some little to support us in our retreat in case I should be unsuccessful at first: and not too little either: for who could tell how long I might have to struggle with the indifference or neglect of others, or my own inexperience or inability to suit their tastes?

What should I do then? Apply to my brother and explain my circumstances and my resolves to him? No, no: even if I told him all my grievances, which I should be very reluctant to do, he would be certain to disapprove of the step: it would seem like madness to him, as it would to my uncle and aunt, or to Milicent. No; I must have patience and gather a hoard of my own. Rachel should be my only confidante - I