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Edith Wharton Quotes



American novelist


Quotes

Quotes by Edith Wharton

There are two ways of spreading light: to be the candle or the mirror that reflects it.
Vesalius in Zante
There are lots of ways of being miserable, but there's only one way of being comfortable, and that is to stop running round after happiness. If you make up your mind not to be happy there's no reason why you shouldn't have a fairly good time.
The Last Asset, 1904
True originality consists not in a new manner but in a new vision.
The only way not to think about money is to have a great deal of it.
Old age, calm, expanded, broad with the haughty breadth of the universe, old age flowing free with the delicious near-by freedom of death.
Life is the only real counselor; wisdom unfiltered through personal experience does not become a part of the moral tissue.
In spite of illness, in spite even of the archenemy sorrow, one can remain alive long past the usual date of disintegration if one is unafraid of change, insatiable in intellectual curiosity, interested in big things, and happy in small ways.
If only we'd stop trying to be happy we could have a pretty good time.
I wonder, among all the tangles of this mortal coil, which one contains tighter knots to undo, and consequently suggests more tugging, and pain, and diversified elements of misery, than the marriage tie.
I have never known a novel that was good enough to be good in spite of its being adapted to the author's political views.
How much longer are we going to think it necessary to be ''American'' before (or in contradistinction to) being cultivated, being enlightened, being humane, and having the same intellectual discipline as other civilized countries?
Habit is necessary; it is the habit of having habits, of turning a trail into a rut, that must be incessantly fought against if one is to remain alive.
Art is on the side of the oppressed. Think before you shudder at the simplistic dictum and its heretical definition of the freedom of art. For if art is freedom of the spirit, how can it exist within the oppressors?
Another unsettling element in modern art is that common symptom of immaturity, the dread of doing what has been done before.
After all, one knows one's weak points so well, that it's rather bewildering to have the critics overlook them and invent others.
A classic is classic not because it conforms to certain structural rules, or fits certain definitions (of which its author had quite probably never heard). It is classic because of a certain eternal and irrepressible freshness.

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