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"Silence is one of the great arts of conversation, as allowed by Cicero himself, who says, 'there is not only an art, but an eloquence in it.' A well bred woman may easily and effectually promote the most useful and elegant conversation without speaking a word. The modes of speech are scarcely more variable than the modes of silence."
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Jack London
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The second school were I tried to pick up a little learning was an irregular hit or miss affair at San Mateo. Each class sat in a separate desk, but there were days when we did not sit at all, for the master used to get drunk very often, and then one of the elder boys would thrash him. To even things up, the master would then thrash the younger lads, so you can think what sort of school it was. There was no one belonging to me, or associated with me in any way, who had literary tastes or ideas, the nearest I can make to it is that my great-grandfather was a circuit writer, a Welshman, known as "Priest" Jones in the backwoods, where his enthusiasm led him to scatter the Gospel.
One of my earliest and strongest impressions was of the ignorance of other people. I had read and absorbed Washington Irving's "Alhambra" before I was nine, but could never understand how it was that the other ranchers knew nothing about it. Later I concluded that this ignorance was peculiar to the country, and felt that those who lived in cities would not be so dense. One day a man from the city came to the ranch. He wore shiny shoes and a cloth coat, and I felt that here was a good chance for me to exchange thoughts with an enlightened mind. From the bricks of an old fallen chimney I had built an Alhambra of my own; towers, terraces, and all were complete, and chalk inscriptions marked the different sections. Here I led the city man and questioned him about "The Alhambra," but he was as ignorant as the man on the ranch, and then I consoled myself with the thought that there were only two clever people in the world--Washington Irving and myself.
My other reading-matter at that time consisted mainly of dime novels, borrowed from the hired men, and newspapers in which the servants gloated over the adventures of poor but virtuous shop- girls.
Through reading such stuff my mind was necessarily ridiculously conventional, but being very lonely I read everything that came my way, and was greatly impressed by Ouida's story "Signa," which I devoured regularly for a couple of years. I never knew the finish until I grew up, for the closing chapters were missing from my copy, so I kept on dreaming with the hero, and, like him, unable to see Nemesis, at the end. My work on the ranch at one time
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