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"The quick must haste to vengeance taste, For time is on his head; But he can wait at the door of fate, Though the stay be long and the hour be late-- The dead."

Melville Hardlock stood in the centre of the room with his feet wide apart and his hands in his trousers pockets, a characteristic attitude of his. He gave a quick glance at the door, and saw with relief that the key was in the lock, and that the bolt prevented anybody coming in unexpectedly. Then he gazed once more at the body of his friend, which lay in such a helpless-looking attitude upon the floor. He looked at the body with a feeling of mild curiosity, and wondered what there was about the lines of the figure on the floor that so certainly betokened death rather than sleep, even though the face was turned away from him. He thought, perhaps, it might be the hand with its back to the floor and its palm towards the ceiling; there was a certain look of hopelessness about that. He resolved to investigate the subject some time when he had leisure. Then his thoughts turned towards the subject of murder. It was so easy to kill, he felt no pride in having been able to accomplish that much. But it was not everybody who could escape the consequences of his crime. It required an acute brain to plan after events so that shrewd detectives would be baffled. There was a complacent conceit about Melville Hardlock, which was as much a part of him as his intense selfishness, and this conceit led him to believe that the future path he had outlined for himself would not be followed by justice.

With a sigh Melville suddenly seemed to realise that while there was no necessity for undue haste, yet it was not wise to be too leisurely in some things, so he took his hands from his pockets and drew to the middle of the floor a large Saratoga trunk. He threw the heavy lid open, and in doing so showed that the trunk was empty. Picking up the body of his friend, which he was surprised to note was so heavy and troublesome to handle, he with some difficulty doubled it up so that it slipped into the trunk. He piled on top of it some old coats, vests, newspapers, and other miscellaneous articles until the space above the body was filled. Then he pressed down the lid and locked it, fastening the catches at each end. Two stout straps were now placed around the trunk and firmly buckled after he had drawn them as tight as possible. Finally he damped the gum side of a paper label, and when he had pasted it on the end of the trunk, it showed the words in red letters, "S.S. Platonic, cabin, wanted." This done, Melville threw open the window to allow the fumes of chloroform to dissipate themselves in the outside air. He placed a closed, packed and labelled portmanteau beside the trunk, and a valise beside that again, which, with a couple of handbags, made up his luggage. Then he unlocked the door, threw back the bolt, and, having turned the key again from the outside, strode down