The Understudy

The Monarch in the Arabian story had an ointment which, put upon the right eye, enabled him to see through the walls of houses. If the Arabian despot had passed along a narrow street leading into a main thoroughfare of London, one night just before the clock struck twelve, he would have beheld, in a dingy back room of a large building, a very strange sight. He would have seen King Charles the First seated in friendly converse with none other than Oliver Cromwell.

The room in which these two noted people sat had no carpet and but few chairs. A shelf extended along one side of the apartment, and it was covered with mugs containing paint and grease. Brushes were littered about, and a wig lay in a corner. A mirror stood at either end of the shelf, and beside these, flared two gas-jets protected by wire baskets. Hanging from nails driven in the walls were coats, waist-coats, and trousers of more modern cut than the costumes worn by the two men.

King Charles, with his pointed beard and his ruffles of lace, leaned picturesquely back in his chair, which rested against the wall. He was smoking a very black brier-root pipe, and perhaps his Majesty enjoyed the weed all the more that there was just above his head, tacked to the wall, a large placard, containing the words, "No smoking allowed in this room, or in any other part of the theatre."

Cromwell, in more sober garments, had an even jauntier attitude than the King, for he sat astride the chair, with his chin resting on the back of it, smoking a cigarette in a meerschaum holder.

"I'm too old, my boy," said the King, "and too fond of my comfort; besides, I have no longer any ambition. When an actor once realises that he will never be a Charles Kean or a Macready, then come peace and the enjoyment of life. Now, with you it is different: you are, if I may say so in deep affection, young and foolish. Your project is a most hare-brained scheme. You are throwing away all you have already won."

"Good gracious!" cried Cromwell, impatiently, "what have I won?"

"You have certainly won something," resumed the elder calmly, "when a person of your excitable nature can play so well the sombre, taciturn character of Cromwell. You have mounted several rungs, and the whole ladder lifts itself up before you. You have mastered two or three languages, while I know but one, and that imperfectly. You have studied the foreign drama, while I have not even read all the plays of Shakespeare. I can do a hundred parts conventionally well. You will, some day, do a great part as no other man on earth can act it, and then fame will come to you. Now you propose recklessly to throw all this away and go into the wilds of Africa."

"The particular ladder you offer me," said Cromwell, "I have no desire to climb; I am sick of the smell of the footlights and the whole atmosphere of