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    Man Was Made to Mourn

    by Robert Burns
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    A DIRGE.

    [The origin of this fine poem is alluded to by Burns in one of his
    letters to Mrs. Dunlop: "I had an old grand-uncle with whom my mother
    lived in her girlish years: the good old man was long blind ere he
    died, during which time his highest enjoyment was to sit and cry,
    while my mother would sing the simple old song of 'The Life and Age of
    Man.'" From that truly venerable woman, long after the death of her
    distinguished son, Cromek, in collecting the Reliques, obtained a copy
    by recitation of the older strain. Though the tone and sentiment
    coincide closely with "Man was made to Mourn," I agree with Lockhart,
    that Burns wrote it in obedience to his own habitual feelings.]

    When chill November's surly blast
    Made fields and forests bare,
    One ev'ning as I wandered forth
    Along the banks of Ayr,
    I spy'd a man whose aged step
    Seem'd weary, worn with care;
    His face was furrow'd o'er with years,
    And hoary was his hair.

    "Young stranger, whither wand'rest thou?"
    Began the rev'rend sage;
    "Does thirst of wealth thy step constrain,
    Or youthful pleasure's rage?
    Or haply, prest with cares and woes,
    Too soon thou hast began
    To wander forth, with me to mourn
    The miseries of man.

    "The sun that overhangs yon moors,
    Out-spreading far and wide,
    Where hundreds labour to support
    A haughty lordling's pride:
    I've seen yon weary winter-sun
    Twice forty times return,
    And ev'ry time had added proofs
    That man was made to mourn.


    "O man! while in thy early years,
    How prodigal of time!
    Misspending all thy precious hours,
    Thy glorious youthful prime!
    Alternate follies take the sway;
    Licentious passions burn;
    Which tenfold force gives nature's law,
    That man was made to mourn.

    "Look not alone on youthful prime,
    Or manhood's active might;
    Man then is useful to his kind,
    Supported in his right:
    But see him on the edge of life,
    With cares and sorrows worn;
    Then age and want--oh! ill-match'd pair!--
    Show man was made to mourn.

    "A few seem favorites of fate,
    In pleasure's lap carest:
    Yet, think not all the rich and great
    Are likewise truly blest.
    But, oh! what crowds in every land,
    All wretched and forlorn!
    Thro' weary life this lesson learn--
    That man was made to mourn.

    "Many and sharp the num'rous ills
    Inwoven with our frame!
    More pointed still we make ourselves,
    Regret, remorse, and shame!
    And man, whose heaven-erected face
    The smiles of love adorn,
    Man's inhumanity to man
    Makes countless thousands mourn!

    "See yonder poor, o'erlabour'd wight,
    So abject, mean, and vile,
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