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    Ruskin

    by Gilbert Keith Chesterton
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    Page 1 of 2
    I do not think anyone could find any fault with the way in which Mr.
    Collingwood has discharged his task, except, of course, Mr. Ruskin
    himself, who would certainly have scored through all the eulogies in
    passionate red ink and declared that his dear friend had selected for
    admiration the very parts of his work which were vile, brainless, and
    revolting. That, however, was merely Ruskin's humour, and one of the
    deepest disappointments with Mr. Collingwood is that he, like everyone
    else, fails to appreciate Ruskin as a humourist. Yet he was a great
    humourist: half the explosions which are solemnly scolded as "one-sided"
    were simply meant to be one-sided, were mere laughing experiments in
    language. Like a woman, he saw the humour of his own prejudices, did not
    sophisticate them by logic, but deliberately exaggerated them by
    rhetoric. One tenth of his paradoxes would have made the fortune of a
    modern young man with gloves of an art yellow. He was as fond of
    nonsense as Mr. Max Beerbohm. Only ... he was fond of other things too.
    He did not ask humanity to dine on pickles.

    But while his kaleidoscope of fancy and epigram gives him some kinship
    with the present day, he was essentially of an earlier type: he was the
    last of the prophets. With him vanishes the secret of that early
    Victorian simplicity which gave a man the courage to mount a pulpit

    above the head of his fellows. Many elements, good and bad, have
    destroyed it; humility as well as fear, camaraderie as well as
    scepticism, have bred in us a desire to give our advice lightly and
    persuasively, to mask our morality, to whisper a word and glide away.
    The contrast was in some degree typified in the House of Commons under
    the last leadership of Mr. Gladstone: the old order with its fist on the
    box, and the new order with its feet on the table. Doubtless the wine of
    that prophecy was too strong even for the strong heads that carried it.
    It made Ruskin capricious and despotic, Tennyson lonely and whimsical,
    Carlyle harsh to the point of hatred, and Kingsley often rabid to the
    ruin of logic and charity. One alone of that race of giants, the
    greatest and most neglected, was sober after the cup. No mission, no
    frustration could touch with hysteria the humanity of Robert Browning.

    But though Ruskin seems to close the roll of the militant prophets, we
    feel how needful are such figures when we consider with what pathetic
    eagerness men pay prophetic honours even to those who disclaim the
    prophetic character. Ibsen declares that he only depicts life, that as
    far as he is concerned there is nothing to be done, and still armies of
    "Ibsenites" rally to the flag and enthusiastically do nothing. I have
    found traces of a school which avowedly follows Mr.
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