Mr. Lismore and the Widow
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The list of gentlemen invited to address the audience had been chosen with two objects in view. Speakers of celebrity, who would rouse public enthusiasm, were supported by speakers connected with commerce, who would be practically useful in explaining the purpose for which the meeting was convened. Money wisely spent in advertising had produced the customary result: every seat was occupied before the proceedings began.
Among the late arrivals, who had no choice but to stand or to leave the hall, were two ladies. One of them at once decided on leaving the hall.
"I shall go back to the carriage," she said, "and wait for you at the door."
Her friend answered, "I sha'n't keep you long. He is advertised to support the second resolution; I want to see him, and that is all."
An elderly gentleman, seated at the end of a bench, rose and offered his place to the lady who remained. She hesitated to take advantage of his kindness, until he reminded her that he had heard what she said to her friend. Before the third resolution was proposed his seat would be at his own disposal again. She thanked him, and without further ceremony took his place. He was provided with an opera-glass, which he more than once offered to her when famous orators appeared on the platform. She made no use of it until a speaker, known in the City as a ship-owner, stepped forward to support the second resolution.
His name (announced in the advertisements) was Ernest Lismore.
The moment he rose the lady asked for the opera-glass. She kept it to her eyes for such a length of time, and with such evident interest in Mr. Lismore, that the curiosity of her neighbours was aroused. Had he anything to say in which a lady (evidently a stranger to him) was personally interested? There was nothing in the address that he delivered which appealed to the enthusiasm of women. He was undoubtedly a handsome man, whose appearance proclaimed him to be in the prime of life, midway, perhaps, between thirty and forty years of age. But why a lady should persist in keeping an opera-glass fixed on him all through his speech was a question which found the general ingenuity at a loss for a reply.
Having returned the glass with an apology, the lady ventured on putting a question next. "Did it strike you, sir, that Mr. Lismore seemed to be out of spirits?" she asked.
"I can't say it did, ma'am."
"Perhaps you noticed that he left the platform the moment he had done?"
This betrayal of interest in the speaker did not escape the notice of a lady seated on the bench in front. Before the old gentleman could answer she volunteered an explanation.
"I am afraid Mr. Lismore is troubled by
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