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    The Story of It

    by Henry James
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    Page 1 of 15
    CHAPTER I

    The weather had turned so much worse that the rest of the day was
    certainly lost. The wind had risen and the storm gathered force;
    they gave from time to time a thump at the firm windows and dashed
    even against those protected by the verandah their vicious
    splotches of rain. Beyond the lawn, beyond the cliff, the great
    wet brush of the sky dipped deep into the sea. But the lawn,
    already vivid with the touch of May, showed a violence of watered
    green; the budding shrubs and trees repeated the note as they
    tossed their thick masses, and the cold troubled light, filling the
    pretty saloon, marked the spring afternoon as sufficiently young.
    The two ladies seated there in silence could pursue without
    difficulty--as well as, clearly, without interruption--their
    respective tasks; a confidence expressed, when the noise of the
    wind allowed it to be heard, by the sharp scratch of Mrs. Dyott's
    pen at the table where she was busy with letters.

    Her visitor, settled on a small sofa that, with a palm-tree, a
    screen, a stool, a stand, a bowl of flowers and three photographs
    in silver frames, had been arranged near the light wood-fire as a
    choice "corner"--Maud Blessingbourne, her guest, turned audibly,
    though at intervals neither brief nor regular, the leaves of a book

    covered in lemon-coloured paper and not yet despoiled of a certain
    fresh crispness. This effect of the volume, for the eye, would
    have made it, as presumably the newest French novel--and evidently,
    from the attitude of the reader, "good"--consort happily with the
    special tone of the room, a consistent air of selection and
    suppression, one of the finer aesthetic evolutions. If Mrs. Dyott
    was fond of ancient French furniture and distinctly difficult about
    it, her inmates could be fond--with whatever critical cocks of
    charming dark-braided heads over slender sloping shoulders--of
    modern French authors. Nothing bad passed for half an hour--
    nothing at least, to be exact, but that each of the companions
    occasionally and covertly intermitted her pursuit in such a manner
    as to ascertain the degree of absorption of the other without
    turning round. What their silence was charged with therefore was
    not only a sense of the weather, but a sense, so to speak, of its
    own nature. Maud Blessingbourne, when she lowered her book into
    her lap, closed her eyes with a conscious patience that seemed to
    say she waited; but it was nevertheless she who at last made the
    movement representing a snap of their tension. She got up and
    stood by the fire, into which she looked a minute; then came round
    and approached the window as if to see what was really going on.
    At this Mrs. Dyott wrote with refreshed intensity. Her little pile
    of
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    Page 1 of 15
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