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    Edgar Allan Poe: An Appreciation

    by Edgar Allan Poe
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    Caught from some unhappy master whom unmerciful Disaster
    Followed fast and followed faster till his songs one burden bore--
    Till the dirges of his Hope that melancholy burden bore
    Of "never--never more!"

    THIS stanza from "The Raven" was recommended by James Russell Lowell
    as an inscription upon the Baltimore monument which marks the resting
    place of Edgar Allan Poe, the most interesting and original figure in
    American letters. And, to signify that peculiar musical quality of
    Poe's genius which inthralls every reader, Mr. Lowell suggested this
    additional verse, from the "Haunted Palace":

    And all with pearl and ruby glowing
    Was the fair palace door,
    Through which came flowing, flowing, flowing,
    And sparkling ever more,
    A troop of Echoes, whose sweet duty
    Was but to sing,
    In voices of surpassing beauty,
    The wit and wisdom of their king.

    Born in poverty at Boston, January 19 1809, dying under painful
    circumstances at Baltimore, October 7, 1849, his whole literary
    career of scarcely fifteen years a pitiful struggle for mere
    subsistence, his memory malignantly misrepresented by his earliest

    biographer, Griswold, how completely has truth at last routed
    falsehood and how magnificently has Poe come into his own, For "The
    Raven," first published in 1845, and, within a few months, read,
    recited and parodied wherever the English language was spoken, the
    half-starved poet received $10! Less than a year later his brother
    poet, N. P. Willis, issued this touching appeal to the admirers of
    genius on behalf of the neglected author, his dying wife and her
    devoted mother, then living under very straitened circumstances in a
    little cottage at Fordham, N. Y.:

    "Here is one of the finest scholars, one of the most original men of
    genius, and one of the most industrious of the literary profession of
    our country, whose temporary suspension of labor, from bodily
    illness, drops him immediately to a level with the common objects of
    public charity. There is no intermediate stopping-place, no
    respectful shelter, where, with the delicacy due to genius and
    culture, he might secure aid, till, with returning health, he would
    resume his labors, and his unmortified sense of independence."

    And this was the tribute paid by the American public to the master
    who had given to it such tales of conjuring charm, of witchery and
    mystery as "The Fall of the House of Usher" and "Ligeia"; such
    fascinating hoaxes as "The Unparalleled Adventure of Hans Pfaall,"
    "MSS. Found in a Bottle," "A Descent Into a Maelstrom" and "The
    Balloon Hoax"; such tales of conscience as "William Wilson," "The
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