A Patron of Art

Mrs. Livingstone adored art--Art with a capital A, not the kind whose sign-manual is a milking-stool or a beribboned picture frame. The family had lived for some time in a shabby-genteel house on Beacon Hill, ever since, indeed, Mrs. Livingstone had insisted on her husband's leaving the town of his birth and moving to Boston--the center of Art (according to Mrs. Livingstone).

Here she attended the Symphony Concerts (on twenty-five cent tickets), and prattled knowingly of Mozart and Beethoven; and here she listened to Patti or Bernhardt from the third balcony of the Boston Theater. If she attended an exhibit of modern paintings she saw no beauty in pictured face or flower, but longed audibly for the masterpieces of Rubens and of Titian; and she ignored the ordinary books and periodicals of the day, even to the newspapers, and adorned her center-table with copies of Shakespeare and of Milton.

To be sure, she occasionally read a novel or a book of poems a trifle less ancient in character, but never unless the world had rung with the author's praises for at least a score of years. The stamp of Time's approval was absolutely necessary to the aspirant after Mrs. Livingstone's approbation. Indeed, there was only one of the present-day celebrities who interested the good lady at all, but that one attracted with a power that compensated for any lack in the others. She would have given much--had it been hers to give--to once meet that man.

Of course he was famous--he had been for thirty years. She called him the "Inimitable One," and set him up in her heart and groveled joyfully at his feet. She bought each of his books when published, whether she had shoes to her feet or clothes to her back. He was the Prophet--the High Priest--the embodiment of Art. She occasionally even allowed his books to rest on the table along with Milton and Shakespeare.

Mrs. Livingstone's husband was only an ordinary being who knew nothing whatever of Art; and it was a relief to her--and perhaps to him, poor man--when he departed this life, and left her to an artistic widowhood with anything but an artistic income--if size counts in Art. But one must eat, and one must wear clothes (in chilly, civilized Boston, at least), and Mrs. Livingstone suddenly realized that something must be done toward supplying these necessities of life for herself and her young daughter, Mabel.

It was at about this time that there came a sharp ring at the doorbell, and a stout man with small, but very bright, black eyes asked to see Mrs. Livingstone.

"I have come, my dear madam, on a matter of business," said he suavely; "and though I am a stranger to you, you certainly are not one to me. I said 'business,' madam, yet I and the one for whom I am speaking are so anxious that you should look favorably upon our proposition that I had almost said that I had come to ask a favor."

Mrs. Livingstone