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    Recollections of the Arabian Nights

    by Lord Alfred Tennyson
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    First printed in 1830.

    With this poem should be compared the description of Harun al Rashid's Garden of Gladness in the story of Nur-al-din Ali and the damsel Anis al Talis in the Thirty-Sixth Night. The style appears to have been modelled on Coleridge's 'Kubla Khan' and 'Lewti', and the influence of Coleridge is very perceptible throughout the poem.

    When the breeze of a joyful dawn blew free In the silken sail of infancy, The tide of time flow'd back with me, The forward-flowing tide of time; And many a sheeny summer-morn, Adown the Tigris I was borne, By Bagdat's shrines of fretted gold, High-walled gardens green and old; True Mussulman was I and sworn, For it was in the golden prime [1] Of good Haroun Alraschid.

    Anight my shallop, rustling thro' [2] The low and bloomed foliage, drove The fragrant, glistening deeps, and clove The citron-shadows in the blue: By garden porches on the brim, The costly doors flung open wide, Gold glittering thro' [3] lamplight dim, And broider'd sofas [4] on each side: In sooth it was a goodly time, For it was in the golden prime Of good Haroun Alraschid.

    Often, where clear-stemm'd platans guard The outlet, did I turn away The boat-head down a broad canal From the main river sluiced, where all The sloping of the moon-lit sward Was damask-work, and deep inlay Of braided blooms [5] unmown, which crept Adown to where the waters slept. A goodly place, a goodly time, For it was in the golden prime Of good Haroun Alraschid.

    A motion from the river won Ridged the smooth level, bearing on My shallop thro' the star-strown calm, Until another night in night I enter'd, from the clearer light, Imbower'd vaults of pillar'd palm, Imprisoning sweets, which, as they clomb Heavenward, were stay'd beneath the dome Of hollow boughs.--A goodly time, For it was in the golden prime Of good Haroun Alraschid.

    Still onward; and the clear canal Is rounded to as clear a lake. From the green rivage many a fall Of diamond rillets musical, Thro' little crystal [6] arches low Down from the central fountain's flow Fall'n silver-chiming, seem'd to shake The sparkling flints beneath the prow. A goodly place, a goodly time, For it was in the golden prime Of good Haroun Alraschid.

    Above thro' [7] many a bowery turn A walk with vary-colour'd shells Wander'd engrain'd. On either side All round about the fragrant marge From fluted vase, and brazen urn In order, eastern flowers large, Some dropping low their crimson bells Half-closed, and others studded wide With disks and tiars, fed the time With odour in the golden prime Of good Haroun Alraschid.

    Far off, and where the lemon-grove In closest coverture upsprung, The living airs of middle night Died round the bulbul [8] as he sung; Not he: but something which possess'd The darkness of the world, delight, Life, anguish, death, immortal love, Ceasing not, mingled, unrepress'd. Apart from place, withholding [9] time,
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