The Nightingale

Written in April, 1798.

No cloud, no relique of the sunken day
Distinguishes the West, no long thin slip
Of sullen Light, no obscure trembling hues.
Come, we will rest on this old mossy Bridge!
You see the glimmer of the stream beneath,
But hear no murmuring: it flows silently
O'er its soft bed of verdure. All is still,
A balmy night! and tho' the stars be dim,
Yet let us think upon the vernal showers
That gladden the green earth, and we shall find
A pleasure in the dimness of the stars.

And hark! the Nightingale begins its song
"Most musical, most melancholy" [4] Bird!
A melancholy Bird? O idle thought!
In nature there is nothing melancholy.
--But some night wandering Man, whose heart was pierc'd
With the remembrance of a grievous wrong,
Or slow distemper or neglected love,
(And so, poor Wretch! fill'd all things with himself
And made all gentle sounds tell back the tale
Of his own sorrows) he and such as he
First named these notes a melancholy strain:
And many a poet echoes the conceit;
Poet, who hath been building up the rhyme

[Footnote 4: "_Most musical, most melancholy_." This passage in
Milton possesses an excellence far superior to that of mere
description: it is spoken in the character of the melancholy Man,
and has therefore a _dramatic_ propriety. The Author makes this
remark, to rescue himself from the charge of having alluded with
levity to a line in Milton: a charge than which none could be more
painful to him, except perhaps that of having ridiculed his Bible.]

When he had better far have stretch'd his limbs
Beside a 'brook in mossy forest-dell
By sun or moonlight, to the influxes
Of shapes and sounds and shifting elements
Surrendering his whole spirit, of his song
And of his fame forgetful! so his fame
Should share in nature's immortality,
A venerable thing! and so his song
Should make all nature lovelier, and itself
Be lov'd, like nature!--But 'twill not be so;
And youths and maidens most poetical
Who lose the deep'ning twilights of the spring
In ball-rooms and hot theatres, they still
Full of meek sympathy must heave their sighs
O'er Philomela's pity-pleading strains.
My Friend, and my Friend's Sister! we have learnt
A different lore: we may not thus profane
Nature's sweet voices always full of love
And joyance! Tis the merry Nightingale

That crowds, and hurries, and precipitates
With fast thick warble his delicious notes,
As he were fearful, that an April night
Would be too short for him to utter forth
Hi? love-chant, and disburthen his full soul
Of all its music! And I know a grove
Of large extent, hard by a castle huge
Which the great